2009 Young Directors were Joshua Azouz, Hammaad Choudry, Alex Crampton, Roisin Feeny, Rikki Henry, Christopher O’Donnell, Kola Oluwole and Tanja Pagnuco. Joshua Azouz directed Auto Da Fe by Tennessee Williams Hammaad Chaudry directed Drunk...
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Our 2010 Young Directors are Tinuke Craig, Kemi David, Helen Donnelly, Alexander J C Forni, Leonnie Rae Gasson, Sally Pembroke and Anthonette Slatton. They were given the opportunity to ‘take the reins’ of the Albany’s studio space, programming...
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Dialogues in Theatre 1 StoneCrabs collaborated with Vila Velha Theatre in Brazil in a series of workshops promoting the sharing of our skills, techniques and values. This was our first international collaboration with a Brazilian venue. The...
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Dialogues in Theatre 2 StoneCrabs had the wonderful opportunity to run workshops in Tokyo for CaramelBox Theatre Company. Franko Figueiredo, Tereza Araujo and Kwong Loke spent a series of successful weeks in Tokyo working on this programme with...
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In 2008, StoneCrabs returned to Tokyo for another cultural exchange with CaramelBox Theatre. Tereza Araujo, Franko Figueiredo, Kwong Loke and Etsuko Shirasaka lead a series of workshops on Theatre of Images and Shakespeare which saw participants...
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Origens/Origins 2005 In 2005, StoneCrabs in association with the Embassy of Brazil in London presented ORIGENS/ORIGINS, a series of rehearsed readings whose aim was to breathe life into the translated works of international playwrights old and...
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Origens/Origins 2006 Origens/Origins 2006 brought to the UK three modern Brazilian Theatre Classics from three of the six playwrights who made up the NOVA DRAMATURGIA movement (Theatre of Resistance) in 1960s Brazil: Leilah Assunção, Antonio...
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ORIGENS/ORIGINS 200-7 Deadly Sins 200-7 Deadly Sins was our third consecutive year producing ORIGENS/ORIGINS Staged Readings Festival. StoneCrabs Theatre celebrated an exciting exchange and unification of dramaturgy of the Portuguese diaspora...
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Origens/Origins 2010 – OFF THE WALL Earlier in 2010, amid the heavy economic climate of funding cuts, we pulled out all efforts to maintain our commitment in continuing to bring unknown international playwriting gems to the UK. After two...
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