Misael Drummond's buried past and the fate of his daughter, Moema, will only be resolved by the weight of her forbidden desires, and the revenge she seeks.
"unbridled lunacy a la Blood Wedding and just as thrilling"'
- Siobhan Murphy, Metro (Critic's Choice)
"StoneCrabs does a magnificent job...A wonderful discovery."
- Lucy Powell, Time Out (Critic's Choice)
A young woman's detached and confusing memories are slowly revealed as the story throws the audience continually back and forth between innocence and disturbance.
"Brazilian Magic"
- Lucy Powell, Time Out
"...full of wit, elegance and intelligence"
- Sam Marlowe, The Times
Not so much for her singing but rather became of it Josephine can create an enhanced atmosphere, but when people refuse to exempt her from work despite the voice, Josephine becomes silent.
"Franz Kafka's short story of the singing mouse who gives meaning to the lives of her fellows has been transformed into an energetic comedy of backstage manners by this multinational and multilingual company."
- Nick Awde, The Stage
A young woman rebelling against her standing in 1880s society. When encountering her father's footman so begins a battle of sexual politics that will obliterate all barriers.
"...marry that with powerful performances and inspired direction and this fantastic tragedy is a viewing delight."
- Anneka Dove, The New York Times
"...StoneCrabs' production of Miss Julie goes refreshingly against the grain."
- Patrick Hayes, Culture Wars
Miss Julie was part of International Women's Festival 2005.
A cunning servant gets a lucky break finding himself engaged in the service of two masters. But can the wily Arlechinno manoeuvre the confusion to pull it off?
"Franko Figueiredo's fast and energetic interpretation."
- Barbara Lewis, The Stage
"...a piece of true entertainment for a modern audience and it succeeds gloriously."
- Aline Waites, Ham and High
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